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	<title>meganbroadmeadow.com</title>
	<link>https://meganbroadmeadow.com</link>
	<description>meganbroadmeadow.com</description>
	<pubDate>Tue, 13 May 2025 11:01:00 +0000</pubDate>
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		<title>NEWS</title>
				
		<link>https://meganbroadmeadow.com/NEWS</link>

		<pubDate>Tue, 20 Jul 2021 13:50:57 +0000</pubDate>

		<dc:creator>meganbroadmeadow.com</dc:creator>

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NEWS



ITV CREATES COMMISISON&#38;nbsp; in collaboration with Spider Aerial is now screening live on TV for the month of SEPTEMBER. &#38;nbsp;READ MORE HERE&#38;nbsp;https://www.itv.com/itvcreates/articles/itv-creates-collaboration-between-megan-broadmeadow-artist-and-mike-bishop</description>
		
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		<title>Front page</title>
				
		<link>https://meganbroadmeadow.com/Front-page</link>

		<pubDate>Wed, 29 Jul 2020 22:21:08 +0000</pubDate>

		<dc:creator>meganbroadmeadow.com</dc:creator>

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		<description>&#38;nbsp;MEGAN BROADMEADOW
ENTER
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	<item>
		<title>About</title>
				
		<link>https://meganbroadmeadow.com/About</link>

		<pubDate>Wed, 29 Jul 2020 22:21:09 +0000</pubDate>

		<dc:creator>meganbroadmeadow.com</dc:creator>

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		<description>MEGAN BROADMEADOWCV 

Megan Broadmeadow is a British artist working in installation, video, VR and digital technologies.






DEWINIAETH
Green Man Festival



&#60;img width="3504" height="2336" width_o="3504" height_o="2336" data-src="https://freight.cargo.site/t/original/i/4cb6c188353847773486c06ca2cf8052e6698d01b9b49681e4b3d69a8c9bf75c/MeganBroadmeadow_P_5699_00_A4.jpg" data-mid="222194599" border="0"  src="https://freight.cargo.site/w/1000/i/4cb6c188353847773486c06ca2cf8052e6698d01b9b49681e4b3d69a8c9bf75c/MeganBroadmeadow_P_5699_00_A4.jpg" /&#62;THINKING IS MAKING
Standpoint London
&#60;img width="877" height="679" width_o="877" height_o="679" data-src="https://freight.cargo.site/t/original/i/cba1159cc09522b48d61196d4780d2764c8a548ea69c355253af2a2669b2f8f0/bismuth.JPG" data-mid="207587335" border="0" data-scale="87" src="https://freight.cargo.site/w/877/i/cba1159cc09522b48d61196d4780d2764c8a548ea69c355253af2a2669b2f8f0/bismuth.JPG" /&#62;

Y CANU CHALKYDRI - MALAPHORS
CHAPTER, Cardiff

&#60;img width="603" height="602" width_o="603" height_o="602" data-src="https://freight.cargo.site/t/original/i/cb291ddb8722dc85e6bde79dc384231603e2d7ce69879eda6e418595547c1d8d/1.JPG" data-mid="114235463" border="0" data-scale="86" src="https://freight.cargo.site/w/603/i/cb291ddb8722dc85e6bde79dc384231603e2d7ce69879eda6e418595547c1d8d/1.JPG" /&#62;


MEMOIRES OF REINCARNATION Online Commission&#38;nbsp;

Glynn Vivian

&#60;img width="1020" height="562" width_o="1020" height_o="562" data-src="https://freight.cargo.site/t/original/i/8969653903c7a3ec6db3ccca913862b91954e2c14a142e6ce7aee55b9fd9318a/Screenshot-2021-07-20-140850.jpg" data-mid="114234800" border="0"  src="https://freight.cargo.site/w/1000/i/8969653903c7a3ec6db3ccca913862b91954e2c14a142e6ce7aee55b9fd9318a/Screenshot-2021-07-20-140850.jpg" /&#62;


ITV CREATES

Commission for ITV&#60;img width="2880" height="1920" width_o="2880" height_o="1920" data-src="https://freight.cargo.site/t/original/i/ac85c0928e9da589cb42bcb985316d28d4e447071ac7912958d5f2036f9a8cad/ITV_Megan-Ben-Mike_140521_0227.jpg" data-mid="118258054" border="0"  src="https://freight.cargo.site/w/1000/i/ac85c0928e9da589cb42bcb985316d28d4e447071ac7912958d5f2036f9a8cad/ITV_Megan-Ben-Mike_140521_0227.jpg" /&#62;








WHY CAN’T WE DO THIS IRL?FACT Liverpool

&#60;img width="3840" height="1920" width_o="3840" height_o="1920" data-src="https://freight.cargo.site/t/original/i/ba25984cd02a7d529391cf4b78f86f5ff2d9a8ce2606abee7fcf5386c71fa096/FINAL-SEQUENCE-3840.00_06_09_09.Still004.jpg" data-mid="78687019" border="0"  src="https://freight.cargo.site/w/1000/i/ba25984cd02a7d529391cf4b78f86f5ff2d9a8ce2606abee7fcf5386c71fa096/FINAL-SEQUENCE-3840.00_06_09_09.Still004.jpg" /&#62;

D-UNIT
Bristol

&#60;img width="450" height="338" width_o="450" height_o="338" data-src="https://freight.cargo.site/t/original/i/13ed2bf11bf12c137491bc610735e9e308b8f6706322c5bc09c9efa0d4d65826/procession-1.jpg" data-mid="114237507" border="0"  src="https://freight.cargo.site/w/450/i/13ed2bf11bf12c137491bc610735e9e308b8f6706322c5bc09c9efa0d4d65826/procession-1.jpg" /&#62;










 


THE BRINY DEEPNational Eisteddfod Wales


&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/1104961fe150cf52e501c6f5799d5fe9aa1d79b95d944f3aca2441edc4aa9793/BEST_o.jpg" data-mid="78684326" border="0"  src="https://freight.cargo.site/w/1000/i/1104961fe150cf52e501c6f5799d5fe9aa1d79b95d944f3aca2441edc4aa9793/BEST_o.jpg" /&#62;

SEEK PRAY ADVANCETouring Exhibiton
&#60;img width="5000" height="3169" width_o="5000" height_o="3169" data-src="https://freight.cargo.site/t/original/i/5bbbffdb62dbe1bff73b23c62bf5b7751405f26e41fdc50d3c682c05d61a437a/-BROADMEADOW_CLOUDlow-res_o.jpg" data-mid="78683915" border="0"  src="https://freight.cargo.site/w/1000/i/5bbbffdb62dbe1bff73b23c62bf5b7751405f26e41fdc50d3c682c05d61a437a/-BROADMEADOW_CLOUDlow-res_o.jpg" /&#62;ABOVE THE FIRMAMENT
&#38;nbsp;
VR Film&#60;img width="1920" height="960" width_o="1920" height_o="960" data-src="https://freight.cargo.site/t/original/i/fc0aae8e1ec2535920f898be9c2c785309f03a00d9afd6fa4775770f0e29fa94/VR-still.jpg" data-mid="207583651" border="0"  src="https://freight.cargo.site/w/1000/i/fc0aae8e1ec2535920f898be9c2c785309f03a00d9afd6fa4775770f0e29fa94/VR-still.jpg" /&#62;

ASTRO RAGGI

Plymouth Arts Centre

&#60;img width="800" height="600" width_o="800" height_o="600" data-src="https://freight.cargo.site/t/original/i/568fe13cfba2e915436fd491f2252b1bf29a2df1978591dea94b9ded91e97dd2/izaaakflash.jpg" data-mid="78683937" border="0"  src="https://freight.cargo.site/w/800/i/568fe13cfba2e915436fd491f2252b1bf29a2df1978591dea94b9ded91e97dd2/izaaakflash.jpg" /&#62;

 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; 





A CORRUPTION OF MASSMark Tanner Sclupture Award 
&#60;img width="5000" height="2961" width_o="5000" height_o="2961" data-src="https://freight.cargo.site/t/original/i/c86723185ee73da68c8f8f7a28f953390f38609314a12df31223fcc446297d37/Tower-Base_o.jpg" data-mid="78683933" border="0"  src="https://freight.cargo.site/w/1000/i/c86723185ee73da68c8f8f7a28f953390f38609314a12df31223fcc446297d37/Tower-Base_o.jpg" /&#62;


LLAWNLlandudno Arts WeekendGuest Curator
&#60;img width="1600" height="1200" width_o="1600" height_o="1200" data-src="https://freight.cargo.site/t/original/i/e3af170e021089c1204e66b63868231e3428194b9da886b053d170a419d9192a/WhatsApp-Image-2019-09-14-at-19.49.47.jpeg" data-mid="78689376" border="0"  src="https://freight.cargo.site/w/1000/i/e3af170e021089c1204e66b63868231e3428194b9da886b053d170a419d9192a/WhatsApp-Image-2019-09-14-at-19.49.47.jpeg" /&#62;SPACE SHANTYM-SHED Bristol&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/befedc6939bcc6c3b54624a87345f40f487a193551dfc499831e85524611b73b/MVI_3358.MOV.00_00_11_04.Still001.jpg" data-mid="234119775" border="0"  src="https://freight.cargo.site/w/1000/i/befedc6939bcc6c3b54624a87345f40f487a193551dfc499831e85524611b73b/MVI_3358.MOV.00_00_11_04.Still001.jpg" /&#62;
DOS PRA LA, DOS PRA CA

Rio De Janerio&#60;img width="899" height="713" width_o="899" height_o="713" data-src="https://freight.cargo.site/t/original/i/e29e692ecf3a21d7fa13c774f39abbaf639d253778ba3014b5a9ae7ba6120268/dois.JPG" data-mid="207589040" border="0" data-scale="84" src="https://freight.cargo.site/w/899/i/e29e692ecf3a21d7fa13c774f39abbaf639d253778ba3014b5a9ae7ba6120268/dois.JPG" /&#62;

ANNWFN
Format Festival
&#60;img width="1415" height="947" width_o="1415" height_o="947" data-src="https://freight.cargo.site/t/original/i/8f2928cb5b5594d4db73438b47dce597e209e71a5c46330a3f4e55cfa6b3bcc4/wasp.JPG" data-mid="207582823" border="0" data-scale="99" src="https://freight.cargo.site/w/1000/i/8f2928cb5b5594d4db73438b47dce597e209e71a5c46330a3f4e55cfa6b3bcc4/wasp.JPG" /&#62;


MERCURY 13
Galeria Melissa


&#60;img width="1600" height="1200" width_o="1600" height_o="1200" data-src="https://freight.cargo.site/t/original/i/cf49e30b90f00826226fe46af6d40466f3cfebd1f1a34ada719744a609ae770a/3-stars.jpg" data-mid="207583687" border="0" data-scale="89" src="https://freight.cargo.site/w/1000/i/cf49e30b90f00826226fe46af6d40466f3cfebd1f1a34ada719744a609ae770a/3-stars.jpg" /&#62;

LET THE STARS BE SET UPON THE BOARD
Cardiff Contempoary&#38;nbsp;
&#60;img width="2362" height="2562" width_o="2362" height_o="2562" data-src="https://freight.cargo.site/t/original/i/5265bda8cfebe9879d290770f4e5fb5bb33cc2f5a93891c178ff5c74ce2ac1ff/pyramid-rock.jpeg" data-mid="78684313" border="0"  src="https://freight.cargo.site/w/1000/i/5265bda8cfebe9879d290770f4e5fb5bb33cc2f5a93891c178ff5c74ce2ac1ff/pyramid-rock.jpeg" /&#62;



UNDER THE INFLUENCEG39 Cardiff
&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/88ce148665c6fcd363901d74931187d33f397b0db201343f3c4ae0307f837cb8/under-the-influence-3.png" data-mid="207583525" border="0"  src="https://freight.cargo.site/w/1000/i/88ce148665c6fcd363901d74931187d33f397b0db201343f3c4ae0307f837cb8/under-the-influence-3.png" /&#62;



PLEASURE PRISON
Goldsmiths MFA
&#60;img width="3543" height="2100" width_o="3543" height_o="2100" data-src="https://freight.cargo.site/t/original/i/f117f136b7a349e96c07c55b8b9c6d3aafc866e778f7144237f0e98559c40591/03_The-Amen-Beat-vid-still-.jpg" data-mid="78686838" border="0"  src="https://freight.cargo.site/w/1000/i/f117f136b7a349e96c07c55b8b9c6d3aafc866e778f7144237f0e98559c40591/03_The-Amen-Beat-vid-still-.jpg" /&#62;



	Front Page
	
	 &#38;nbsp;Instagram
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	<item>
		<title>SPACE SHANTY</title>
				
		<link>https://meganbroadmeadow.com/SPACE-SHANTY</link>

		<pubDate>Tue, 13 May 2025 11:01:00 +0000</pubDate>

		<dc:creator>meganbroadmeadow.com</dc:creator>

		<guid isPermaLink="true">https://meganbroadmeadow.com/SPACE-SHANTY</guid>

		<description>SPACE SHANTY
	&#60;img width="1080" height="1920" width_o="1080" height_o="1920" data-src="https://freight.cargo.site/t/original/i/54cd38dfb5cbf804e52ea718fbfa41eed46e77d4359be5db20ab04ad8f8f1f60/MVI_3450.MOV.00_00_19_12.Still001.jpg" data-mid="233137164" border="0" data-scale="83" src="https://freight.cargo.site/w/1000/i/54cd38dfb5cbf804e52ea718fbfa41eed46e77d4359be5db20ab04ad8f8f1f60/MVI_3450.MOV.00_00_19_12.Still001.jpg" /&#62;
Space Shanty was an interactive installation inspired by Bristol’s long-standing ties to the sea and stars, and was hosted by M-SHED Bristol over the summer of 2024.&#38;nbsp;
At the heart of Space Shanty is Bemmie the Ratronaut, Bristol’s first Space Rat. From stowing away on Bristol’s ships to exploring distant planets, Bemmie shares his journey through video screens, audio snippets, and augmented reality, offering a glimpse into his interplanetary escapades and introducing visitors to space-themed shanties. The event rans across six weeks to coincide with the school’s summer break, celebrating the city’s maritime heritage, while uncovering its less-known connection to the cosmo
Hosted by local experiences company Yuup, Space Shanty transformed&#38;nbsp; Bristol’s most iconic harbourside venues into a maze of interactive installations, digital artworks, and historical artefacts.
Space Shanty included a hands-on making area and interactive elements, allowing visitors to fully immerse themselves in this celestial experience.

Commissioned by Dreamy Place&#38;nbsp; The piece was developed by D-UNIT directors.
Megan Broadmeadow&#38;nbsp; (original concept, lead deisgn. Writer of storyline,&#38;nbsp; video director and editor)
Edward Metcalf ( Lead tehcnical design, Interactive spatial design and technical installation)

 D-UNIT then built the experience with recycled materials sourced from around Bristol and with van loads of cardboard from Children’s Scrapstore!
commissioned:
 Josh Elwell to design, make and operate Bemmie.&#38;nbsp;
 Richard Higgs built the Puppets sets and filmed Bemmie in action.
Greg Chapter .&#38;nbsp; AR&#38;nbsp;
Matt Faulker.&#38;nbsp; Soundscape and auido edits
Pod Farlow - rocket fabricationThe work was produced in collaboration with&#38;nbsp; Bristol Museums and Aerospace Bristol.

&#60;img width="3000" height="1996" width_o="3000" height_o="1996" data-src="https://freight.cargo.site/t/original/i/08150004d6013b0999707c16c7094121b739a7a123220821e0c9816c08f4279b/YUUP_SPACE_SHANTY_118.jpg" data-mid="233137180" border="0"  src="https://freight.cargo.site/w/1000/i/08150004d6013b0999707c16c7094121b739a7a123220821e0c9816c08f4279b/YUUP_SPACE_SHANTY_118.jpg" /&#62;
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Chapter 1 – The Stowaway Look around the boxes to find Bemmie, a daring stowaway hiding aboard a ship about to leave Bristol Harbour! Listen closely as he’s keen to become your friend!

Chapter 2 – Captain of the Coal BargeAgainst all odds, Bemmie rises through the ranks to become Captain! Now at the helm, he navigates through uncharted territory, he needs able crew members to help him so listen to his instructions and keep the ship on course!

Chapter 3 – All Afloat at Sea
Disaster strikes as Bemmie's ship crashes amidst a fierce storm, leaving him stranded at sea. Our brave captain is left floating at the mercy of the sea, and starts to hear some magical music calling to him….

Chapter 4 - Behind Bars
After falling through the wormhole, and a spot of time traveling, Bemmie finds himself captive in some kind of scientist's laboratory. Can you help him escape?
 
Chapter 5 – Professor Bemmie
 With dreams of space exploration, Bemmie has studied hard and become a brilliant scientist. Help him to gather all the necessary items and inventions needed for his incredible journey to the stars.

Chapter 6 - Flying around the StarsTake control of this fancy rocket designed by Elon Mousk! Make sure you wear the headset to hear Bemmie giving you a guided tour of the planets and objects in space!

Chapter 7- Ratronaut Bemmie
Watch Bemmie flying inside his rocket.&#38;nbsp; It's a complicated job and he needs your help to keep flying! Interact with the musical buttons on his control desk to help him flying into deep space..

Chapter 8 – Planet Bedmo

Bemmie now lives on a far away planet and he’s excited to see you here! Step into the Space House, find the green screen and float alongside him in zero gravity! What does he have to tell you about&#38;nbsp; life on the far side of the galaxy?

 Chapter 9 - Time for Tea
 Inside this sweet bedroom there's a tiny rocket, just big enough for Bemmie. Listen closely to hear his mum singing a lullaby, then wait to see Bemmie playing. Do you think Bemmie really went to space?



 
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	<item>
		<title>DEWINIAETH</title>
				
		<link>https://meganbroadmeadow.com/DEWINIAETH</link>

		<pubDate>Thu, 01 Aug 2024 21:30:25 +0000</pubDate>

		<dc:creator>meganbroadmeadow.com</dc:creator>

		<guid isPermaLink="true">https://meganbroadmeadow.com/DEWINIAETH</guid>

		<description>
&#38;nbsp;DEWINIAETH
	
&#60;img width="3504" height="2336" width_o="3504" height_o="2336" data-src="https://freight.cargo.site/t/original/i/8d0cfde88780e3e063e70083cea7fae338cd2ee610b26908c7785692028e8bc0/MeganBroadmeadow_P_5699_00_A4.jpg" data-mid="219591811" border="0"  src="https://freight.cargo.site/w/1000/i/8d0cfde88780e3e063e70083cea7fae338cd2ee610b26908c7785692028e8bc0/MeganBroadmeadow_P_5699_00_A4.jpg" /&#62;
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	Dewiniath (Welsh for Sorcery) uses cutting edge video technology and AI, alongside&#38;nbsp; collaboration with Welsh singers local to Green Man to create an uncanny interpretation of Welsh superstition and predictions into the future. It will evolve over the weekend as the audience at Green Man interact with
it. It is the beginning of a major new and previously unseen body of work, the first time a UK artist has used
hologram fan technology in their work.

Wales is a landscape filled with myth and legend, stories about shape shifting beings and superstitious beliefs
form the heart of its culture. In the Mabinogi fictional powerful women made of flowers can turn people into animals, whilst in reality until the late middle ages witches were practising without persecution. Today our
philosophers write on the ‘magic’ of technology, and the potential of human/ tech hybrids walking the earth.

Megan asks what happens when the old meet the new? What magic will we rely on in the future, and who will
be practising it?
	


2024 showings:Green Man Festival Dreamy Place Festival, CrawleySomoS Gallery Berlin

Originally commissioned by Green Man Trust, with Arts Council Wales and the Collwinston Charitable Trust.





WIth Special thanks to Greg Chapter and Ed Metcalf&#38;nbsp; for audio and techincal installation
The Project collaborators names areSaril, Smylte, Waspal, Rachel, Katy, Sparkelo, Druid, Anthena, Sempavara &#38;amp; Gwen
DEWINIEATH has also toured to Dreamy Place festival, Crawley where it occupied the bandstand for a weekend.
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&#60;img width="8192" height="5464" width_o="8192" height_o="5464" data-src="https://freight.cargo.site/t/original/i/9863992d45faef8c85e85a52b0e4c0829662de6581bbf61a16e10ce40ff49b98/Dewiniaeth_DreamyPlace_PhotoCredit-RosiePowell_38.jpg" data-mid="219592487" border="0"  src="https://freight.cargo.site/w/1000/i/9863992d45faef8c85e85a52b0e4c0829662de6581bbf61a16e10ce40ff49b98/Dewiniaeth_DreamyPlace_PhotoCredit-RosiePowell_38.jpg" /&#62;






&#38;nbsp;What is your name? Which time zone do you exist in? Past, Present or Future?What shape are you? how many limbs do you have, are you human or something else? How does your body feel. How big are you?What colour are you? Describe if you are plain, bold monotone or have patterns, stripes and what texture you are. Be as descriptive as you can.How do you move? Describe the speed/ feel of movement to you. How long does it take you to get places? Do you stop often or move faster than any known creature?Where is your natural habitat?Why does the world you live in need magic?In the world you inhabit Where does magic exist most obviously to you?Describe you healing power - Who do you cure, how do you do it? Did you learn how to do it or was it something that was within you/ learnt from your society?Identify the main plant, tree or fungi that is associated with you. Explain why its important to you.Identify the creature that is important to you this could be a bug or fly, or could be something even smaller such as a bacteria. Explain why its important to you.Describe the animal or bird that is associated with you Explain why its important to you and how it helps you.Communication: how do you activate your magic - is it through letter, email, image, text, song, clicks, buzzing etc. How long does it last for and who is it aimed at? Can everyone see or hear you?What language do you speak? do you speak more than one?Poison, What would be the plant, venom or chemical that works in opposition to your healing?Digital power: what devices do you carry and how do you use them? This can be anything from the time zone you occupy.How do you think magic and technology are linked?What else do you carry with you, what are your essential survival items? What do you need to carry out your healing?Antethea Future large but not solid , gaseous Slightly iridescent changing with moods and atmospheresNormally floating along becoming more of a solid ball and then expanding , feeling my way through grabbing onto particles ,. Becoming nearly tentacles in space , I can. Traverse all sorts of terrains and climates wrapping myself around stones and resting or free forming through the sky I like to rest on rocks looking for beautiful geology but spend most of my time in the air , I like to check out lichen which nourishes me The world needs magic to connect myself to the natural world around me , In nature I do not talk but when I meet something special it is through a dance similar to that of slugs mating , I heal through forming my gaseous tentacles and encircling them around the broken thing , pulsing and releasing healing energy Lichen , it exists quietly covering the earth without making a fuss , slowly taking the carbon out of the air and sustaining the life force The dragonfly , I am related to the dragon fly and if I was to take earthly form it would be with large semi translucent wings and an iridescent body , hovering and landing within the natural world I described The phoenix , a sign of fire and the raven both of which shadow and mirror my form in the sky , fire , gas ,. Darkness with the lightI activate my magic by channeling it into other plant forms such as the fungal and plant and coral networks I do not speak only through energy fields Other toxic gases - greenhouse gases and methane etc I do not carry anything in the form that I exist but can move objects through my tentacles that have specific magical ability all from the macrocosms I normally inhabit and bathe in Through the natural world , - quartz used in animistic totemic rituals from the Neolithic is also what makes our phones function I need to keep activating my powers through connecting with the microcosms , coral , fungi , algae etc DruidPresentneurological electrical currentsometimes white, sometimes nothingas a pulse, an action potentialin the confines of my skullexistence is magicin all life formsmedical researchTmesipteris oblanceolata. A small, unassuming fern-like plant has the largest genome ever discovered.The earliest life forms were microscopic organisms, microbes, they left signals of their presence in rocks about 3.7 billion years old.Sharks have been around for hundreds of millions of years, appearing in the fossil record before trees even existed.All forms of human expression are magicWelsh, English and SwissSnake oilCellular phoneAs a product of our scientific expressionReason and perspective. RachelI exist in the present, but have also existed in the past, and will continue into the futureI'm human in shape, but have taken many forms throughout timeI am flesh colouredI move carefully, gingerly, taking account of what's around me, sights, sounds smells. I stop to touch, listen, watch. I try to leave no trace of myself as I pass.The wildernessWe need magic to heal our sick worldIn nature - the animals, the plants, the trees, the mountains, the deserts, the seas, tha rivers, and in the peopleI set my intention, and call upon universal energy and wisdom to heal people, animals - whoever needs some healing energy. I heal through my hands. I work in harmony with our planet - in alliance rather than through power and oppression. I am part of the universe and the universe is part of me. I heal by guiding the sick through nature, and helping them to find themselves. I heal through listening, loving and accepting. I have learnt from experience, intuition and from teachers.Oak - I'm drawn to its beauty, majesty, age, resilience and wisdom - a habitat, a place of shelter, a landmark, an ancient reminder of the passing of time and of our brevity of human lifethe horse - spiritual, connected, part of the wilderness, beautiful, powerful, humble.The egret - comes to me in my dreams, appears when I need comfort, a bright white light in the darknessI activate my magic through meditation, through setting intention, through a power symbol and through mantra"For today only, anger not, worry not.Be humbleBe honest in my workBe compassionate to myself and to others"Aimed at thise who ask, or those who I can see need it. Yes everyone can see and hear me, but they can't see or hear my magicEnglishGreedWhen I'm healing I don't carry a device - my phone distracts me by its very presence. When I'm in the wilderness I carry a stick to support my rickety kneesThey are both a part of the same universe - can be utiised to heal, to transform, to work in alliance to support our ailing planet and its occupants.A calm mind, focus, a clear space, and time. SarilLives in the PastAn individual who is slightly smaller than average but still possesses strengthShades of pink swirling with the hues of coral and lilac during sunrise and sunsetLike a flame , cracking and random with energy, etherealThe woodsFor juxtaposition to all the BS , for connnectionIn nature, sunrise , sunset , waves and fireI am not sure i heal anything , maybe i protect.From withinMagnolia ,seeks the light. Love the effort that a magnolia puts into flowering Moths represent transformation, rebirth, wisdom, secrecy, persistence, vulnerability, and fragilityCorvids are intelligent birds with a distinct attitude.Noises - song , crackles , maybe a humIn brief moments, I am audible to all, but only those with receptive minds can truly perceive meNothing comprehensibleCortisolFairy lights and headphones .To make anywhere my home and block out negativity They are both a mystery to me , always something new to learn . Water and fire making stuff .Nature takes care of my healing SempervivaAll three simultaneously but if I have to choose is present because only the present moment exists at all times and I want to exist foreverI am tall as a tree and resemble a tree. I have human arms plus branches like arms. I have skin blended with tree skin-bark. My body feels ancient and groundedPredominant shades of dark red mixed with brow/black, with occasional brighter red patches. When I sleep I mostly go dark. I have patterns like a oak tree bark with places that are like naked human skin but those are red as blood. You can feel the softness of a woman body if you touch those but they would burn you if you teach them, because of fire. It is as if there is embers within the core of my body and they have waves of more or less heat and they can become fire eventually. Essentially I am the spirit of a burnt three witch that has scars but is still alive because she blended her spirit with the one of a tree before dying and she saved her spirit this way. She is still aliveI am very slow because it is hard to move the roots and the tree body. I like dancing with the wind with my trunk and various arms. I also sing with the wind while I dance. I don't walk that fast or far. Really need a very good reason to move and if far, needs to be more than good. Sometimes I shake like if I feel a shiver but its brief not more than a minute max. when I sleep you can see my fire core pulsating in the middle of my dark body The deep of the ancient forest far away from civilizationTo tell stories and remember events in the fertile soil that sustains our lifeI was a witch that cured people, I learnt that from nature, the sky, the winds and now I give back to nature. I mostly cure animals that come to me wounded. They lean on me, nestle between my feet-roots and I give them warmth and life. They go to sleep and wake up healed and restored. I am done with humans since they burnt me they can now fuck off. I just burn then back when they touch me, if they ever reach me in this deep forest. The main tree is the oak because it is as strong as the earth itself and my spirit can rely on its safety and grounded presence to exist. When I was a woman witch my land was guarded by oak trees at the perimeter. i would hug them and thank them often and climb on them or have magic sex rituals on them and always offer them my menstrual blood in exchange of their protectionBirds of all kind because they bring me news and can see far where I can't go. When I have to practice magic from afar they help me do soMostly I rely on a peregrin falcon. He is fast and can travel for long. He can also catch prey to feed the wounded animals I heal if needed. He can also poke human eyes and blind them if they come too close. He is as fierce as me and equally hates humansI activate it trough my fire core, sometimes the wind helps me but mostly I can pulsate faster and activate the fire. It can last for hours or an entire night. But every time I use magic fire or a heal something I then need to sleep double time to recover. Humans can't see my fire but animals can feel it from afar and sometimes they come to warm up and make a circle around the animal I am healingI speak the language of worms and fungi and bacteria because I need to tell them what food I need. I can translate animal language and the falcon translate human languages for me Disbelief from humans and nitrogenI have an interactive map of the earth device hidden in my roots. I use them to receive and send signals from everywhere on earth to other magical creaturesThey work on energyI need a compass and a pendulum of white quartz. I also need sacred ashes blended with blood which my falcon providesSmylte.&#38;nbsp;Lives in the Future My body feels big, and can change shape to react to stimuli. I can be almost human but never fully. Limbs may be grown or retracted as needed. My skin is bumpy, like that of a gila monster. Colours ripple across my form, like a cuttlefish. At rest, I am mostly a steely grey.I change my location by thought and not by physical movement. Sometimes this is instantaneous but on other occasions I may be absent from this realm for hours at a time before reappearing in my new location. It is unclear to others where I go, but it is known to me.I feel at home in deciduous woods, with the seasons changing around me.My world can tilt and shift, and it is through magic that tiny corrections can be made to maintain the balance that all life here relies on.The magic is strongest in the trees and the ground below the trees.I can soothe a troubled mind. I listen; I react; I change form; and I project peace. This was learnt and developed through trials and pain. I am represented by mosses, which breathe life into our world and which can soothe, cool and heal.Worms are my allies. They aid with the cycle of life, death and decay. They are transformative and the woods depend on them. In the trees, there is the jay. It is a bird of the air, and is both graceful and cunning. But it is also a bird of the ground, burying nuts and allowing new lives to sprout forth.My magic is controlled through the flashes of colour that pass across my skin. Only the one for whom the magic is meant can these waves of light. There is no sound but the recipient often senses they can feel the vibration of the patterns in their head.I speak all languages, allowing me to adapt to each who approaches.Unnatural chemicals forged through alchemy hinder my healing and limit my powers. In the woods, I keep myself far from such abominations.I carry a large quartz crystal that has attached to it an array of small devices, all with their own function and that can be removed and replaced as needed. Among other things, these devices can detect the approach of other beings, guide me in my healing (by changing colour) and fix a point in space that I can return to at a later time. My technology harnesses both the natural vibrations of quartz and the movement of tiny particles from one atom to another. My magic is able to control and direct these, allowing me to fully control the functioning of my technology. I carry a satchel, in which are my spare devices. Beyond these, I need carry nothing else.SparkleoPresent Rabbit dog four legs,, in a state of constant lookout, like a prey animal or puppy. I am unseen. I try to make myself big but nobody sees me Black and white with fur and clawsVery bouncy and speedyOutside in nature, with places to hide Absolutely!!In the etherI am a love and comfort giving , it’s just a natural ability. It’s good to see it modelled by others too.Sunflower, daisy.I need good gut bacteria to help me survive. I suffer from poor digestion otherwise Robin a protector, guards their territory.Song, it can only be heard by gentle and kind beings WelshRed berries of toxic plants A pink collar that transmits energy Nature and science are links in many ways Biscuits made from charcoal and for energy giving  symbolises the change in habitats to our society as we all fled to the hills when the sea levels rose. It also played a big part in the rewiliding of Wales once humans left the lower lands.I rely on Tardigrades, they keep the fragments of my human skin looking good. We use Plastic eating fungus regularly too accross my community. without them we would be overwhelmed by plastic waste from the international oil reserves. All plastic has been brought to the UK following the great war with China in 2030Doormouse known as Muscardinus avellanarius, we hold them in high esteem as we learnt our ability to Hibernate from them which all UK residents now deed due to the extreme cold winters. After gathering up their fat reserves in autumn, hazel dormice will begin hibernation in winter. As the weather turns cooler they will move down from the trees to ground level, creating a tightly woven nest around the size of a tennis ball. They will curl up in this ball with their tail wrapped around their face and body to keep warm.During periods of cold weather outside of winter, hazel dormice can actually go into a state of deep sleep called ‘torpor’, similar to hibernation, to conserve energy. They can spend as much as seven months of the year asleep.We use the omni cloud to tap into the magic. The aliens also gave us portable cloud devices that follow us and change colour in response to our mood. We have special chants and spells too most of which are quite nasal.i speak all languagesLithium is a poision, once used to power phones it is now classed as pure evil in my worldI carry my fold up teleportation device, it looks a bit like an old world withces broomstick, but has lights and buttons on itthey have been proven by the prophets to be one and the same thingI require fresh water to anoint the people I healkatypasttriangular shapes with 2 legs, 4 arms and 1 head and 1 pair of wings. something else. normally in a small shape with 2 legs hidden and wings, tucked against body and then when threatened folds out the wings and legs to be as big and threatening as possible grey with an green iridescent that shows in certain lights, mostly hard shell exoskeleton with a fluffy and soft centre of caramel brown fur can scuttle with a beetle - very fast and jerky movements. then when standing up to full height is slow and frequently stops. uses wings in slow flaps then mostly glides with as little effort as possible forest trees, inside of logs and stealing birds empty bird nests protection against the other creatures that live there and against people threatening the forest in sunshine that feeds the plants, moonlight that directs the ocean, in electricity that powers machines and wifi that lets people from other sides of the world talkeats toxic plants (as its a easy food source that nothing else can eat) so has built up a toxic immunity inside body moss is the first known orgainisms on this earth, provides more carbon offset than all the trees together and extremely important to the upkeep of the world tartigrade also called water bear are microsocopic micro animals that live in moss and are nearly immortal being able to survive absolute zero temperatures, higher than 150 degrees celecius, radiation and years without water or light. they are currently be examined to get idea of how to to send people into space. cormorants have been represented a lot in history and mythology from courage to death. They were considered a sign of bad luck because of the ways that they sit with their wings stretched out but its is really because they don't have waterproof feathers so need to dry their wings in the sunshine. things aren't always what they seem. magic is activate with clicking, huh noises and images sent to other peoples heads. lasts as long as has concentration which is never long. everyone can hear it but it echos to make the direction a little more confusing and hidden.no language needed, can telepathically send images ocean as can't swim uv light and it doesn't disturb things as a much as a torch, hag rock to be able to see things that aren't there and a heated self stiring flask of coffee yes - technology is simply the next step in the evolution of magica little bag to collect things full of pretty rocks, flowers and random bits of technology that has been stolen from people that are irritating but may be useable as some point 




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	<item>
		<title>D -UNIT</title>
				
		<link>https://meganbroadmeadow.com/D-UNIT</link>

		<pubDate>Tue, 20 Jul 2021 13:51:15 +0000</pubDate>

		<dc:creator>meganbroadmeadow.com</dc:creator>

		<guid isPermaLink="true">https://meganbroadmeadow.com/D-UNIT</guid>

		<description>D-UNIThttps://dunit.space/

D–UNIT is a brand new project space in BristolSet up by Artist Megan Broadmeadow and Edward Metcalf (CURSOR video).D-UNIT aims to provide exhibition opportunities for Bristol based artists as well as bringing in artists from across the UK.D-UNIT has a social distance aware exhibition space, workshop, studios and video editing suite.</description>
		
	</item>
		
		
	<item>
		<title>ANNWFWN</title>
				
		<link>https://meganbroadmeadow.com/ANNWFWN</link>

		<pubDate>Mon, 25 Mar 2024 21:06:15 +0000</pubDate>

		<dc:creator>meganbroadmeadow.com</dc:creator>

		<guid isPermaLink="true">https://meganbroadmeadow.com/ANNWFWN</guid>

		<description>ANNWFWN (UNDERWORLD)


A short 360 video by Megan BroadmeadowFilmed in an abandoned Copper Mine, the audience finds them self as the last survivor of an unknown event. The soundtrack is a combination of poem by Broadmeadow and fragments from one of the most important historical text's in the Welsh language, Llyfr Taliesin. The narrator (who assumes the consciousness of the viewer), speaks of their mortality, and offers the potential for transmutation in another realm.

This work was exhibited as part of Daad Collectives -It Was A roadside Picnic, and awarded Highly Commended Award at Prix Ars Electronica, 2022.
It was also screen as part of FORMAT FESTIVAL in 2023
Watch it here:&#38;nbsp;https://vimeo.com/656305997



</description>
		
	</item>
		
		
	<item>
		<title>Y CANU CHALKYDRI - MALAPHORS</title>
				
		<link>https://meganbroadmeadow.com/Y-CANU-CHALKYDRI-MALAPHORS</link>

		<pubDate>Tue, 20 Jul 2021 13:17:13 +0000</pubDate>

		<dc:creator>meganbroadmeadow.com</dc:creator>

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		<description>
	Y CANU CHALKYDRI // MALAPHORS
Comissioned by Chapter, Cardiff, 2020
Mon 1 January 0001 - Sun 31 January 2021
https://www.chapter.org/whats-on/art/lightbox-malaphors-y-canu-chalkydri/6011


Selected from nearly 150 applications to our open call, we are delighted to present Y Canu Chalkydri, a new commission by collaborative duo&#38;nbsp;Malaphors, artists Megan Broadmeadow and Abi Hubbard. 

Malaphors have created an artwork that responds to the imminent re-opening of Chapter; a greeting and invitation for the people of Cardiff and Wales to cross the threshold of the building once more. 

Chalkydri are angelic creatures who intone messages to the birds, signalling the beginning of the dawn chorus. The tableaux invokes a rich world of magic-infused symbolism that references a new chapter in the way that we communicate and see our world, and others beyond; a focus on the hope of new beginnings. 

The central figure, is the Iris goddess, who in Greek Mythology exists at the centre of the rainbow. In Y Canu Chalkydri she is nurturing a mystical ecosystem and guiding the life force surrounding her. Gender-fluid Cherubim - part human, part cloud - extol a message of glee and optimism towards a shifting and evolving society. Whilst at the same time, their protruding headdress bear a resemblance to the envelope proteins present within viruses, hinting that they may not be all that they seem….

&#60;img width="5126" height="3417" width_o="5126" height_o="3417" data-src="https://freight.cargo.site/t/original/i/30ad0a3a38118233057089dc3c89389ff1df974c015130541347206ce855a452/34-Megan-Broadmeadow-Lightbox.-Ric-Bower.jpg" data-mid="114235011" border="0"  src="https://freight.cargo.site/w/1000/i/30ad0a3a38118233057089dc3c89389ff1df974c015130541347206ce855a452/34-Megan-Broadmeadow-Lightbox.-Ric-Bower.jpg" /&#62;
About MalaphorsMalaphors is the collective name of artists Megan Broadmeadow and Abi Hubbard.

Megan Broadmeadow makes immersive exhibitions which include video (recently in VR) sculpture, performance and digital installation technologies. Her recent solo exhibition SEEK PRAY ADVANCE was an episodic sci fi extravaganza, which was presented at Southwark Park Galleries, London, Green Man Festival, Wales and Quad in Derby (2018-19). Other recent solo exhibitions include: Carnifal Y Mor, National Eisteddfod Wales (2018); Astro Raggi, Plymouth Arts Centre and Mercury 13, Galeria Melissa, London (both 2015). In 2015-16 she was the Mark Tanner Sculpture Award Winner with the resulting show being held at Standpoint, London.

In 2019 Megan guest curated LLAWN, a large visual and live arts festival in Llandudno, and set up D UNIT project space in Bristol. She is currently co-producing SPUR - a six-month digital residency for 2020 graduates from across the UK&#38;nbsp; - www.spur.world

www.meganbroadmeadow.com

Abi Hubbard studied for her BA (Fine Art) at Nottingham Trent University and in 2019 she received an MA from The Royal Welsh College of Music and Drama.&#38;nbsp; 

Hubbard has a multidisciplinary approach, hybridising tropes of science fiction and the esoteric to interrogate notions of our contemporary identity and the projection of our future selves. The work acts as a viewing portal, glimpsing into a possible utopian future where mutants are beautiful, and society is based on values of connection and equality.

Recent group exhibitions include: Brunswick Club Projections and D UNIT Studio Shows (both 2019); Aliens of the Art World, Centrespace, Bristol (2018); Travellers of the Earth, Wuhan, China; Nottingham Castle Open (where she obtained the Axisweb prize); Sunscreen at the Venice Biennale, and Staging the Artwork 2, Article Gallery (all 2015).

www.abihubbard.co.uk





	
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		<title>Above the Firmament</title>
				
		<link>https://meganbroadmeadow.com/Above-the-Firmament</link>

		<pubDate>Mon, 25 Mar 2024 21:19:01 +0000</pubDate>

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	Above the Firmament

This VR work reveals the beings responsible for calling the ‘Ordinary Person’ to join a ‘Intergalactic Hierarchy’ of alien leaders. The viewer is taken on a surreal journey in VR through space and time, filled with these otherworldly beings who swoop and fly around them. The viewer experiences the space usually reserved for these chosen ones: the space Above the Firmament and beyond the heavens. The space in which the Ordinary Person will end their journey… in this dimension at least…




A film made for VRMegan Broadmeadow2019Generously supported by the ARTS COUNCIL OF ENGLAND.QUAD Digital FellowshipPaper Folds Records.Cursor VideoFull Tilt AerialBristol VR LAB

Performers:Megan BroadmeadowViola BruniNoam HunterPernelle LoretteVlad Troncea

SoundtrackNicholas SuttonMatthew FaulknerSci Fi ChoirMark Anthony PearceAbi Hubbard

First Shown At QUAD, Derby as part of the solo show SEEK PRAY ADVANCE, Episode 3, Operation Starlight, by Megan Broadmeadow 2019.








	
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		<title>GLYN VIVIAN ALMOST LIVE</title>
				
		<link>https://meganbroadmeadow.com/GLYN-VIVIAN-ALMOST-LIVE</link>

		<pubDate>Thu, 19 May 2016 13:16:11 +0000</pubDate>

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		<description>BACK

&#38;nbsp;Watch Online!!


Memoires of Reincarnation&#38;nbsp;
First screened for:
GLYN VIVIAN // ALMOST LIVE
Featuring:
Megan Broadmeadow
Abi Hubbard
Jennifer Tayor
Cult of Ramelzee
Nick Sutton
Akousmatter
Calypso Spritz
Dan Hart
Interjector
Thanks also to QUAD, Southwark Park Galleries, Green Man and Arts Council England, Arts Council Wales


WATCH HERE:
https://www.youtube.com/watch?v=6S-h8P1TwTg&#38;amp;fbclid=IwAR1tiSrmjrXOeupwK0zDSYJ-glly--n4vvAG5WHZfXlmkjFg0kqHORTZMKk</description>
		
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